No. 9 (2021): The Overflowing Object. Immersive Spaces and Multi-Sensorial Strategies in Art

DOI: https://doi.org/10.5944/etfvii.9.2021

Published: 2021-10-15

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DOSSIER

Introduction: When Spaces become Art. Total Work of Art, Installation, Immersive Environments

Eduard Cairol, Tomas Macsotay Bunt

15-24
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La destrucción de imágenes como obra de arte total. La Gesamtkunstwerk como agujero negro

Nausikaä El-Mecky

25-52
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The Orphan’s Chapel in Paris by Germain Boffrand (1746-1950) and the Resonance of the Pseudo-Scenic Artwork

Tomas Macsotay Bunt

53-84
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Visiting the Salon: Art, Exhibitions and the Experience of the Body at the Dawn of Mass Culture

Isabel Valverde Zaragoza

85-114
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The Configuration of the Audiovisual Show in Madrid at the Beginning of the 19th Century: Phantasmagoria as a Prelude to Total Art

Rafael Gómez Alonso

115-136
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Immersion in the Image: From the Panorama to the New Digital Realities

Sergio Martínez Luna

137-160
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Immersive Experiences and Nation: Amateur Stereoscopic Photography in Catalonia 1900-1936

Núria F. Rius

161-188
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Mass Theater in Post-Revolutionary Russia: The Use of Proto-Performance in Urban Contexts as a Formula for Shaping Collective Identity

Anna Borisova Fedotova, Isabel Tejeda Martín

189-210
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Patrones de interferencia. Experimentos ópticos y táctiles de inmersión espacial, de la psicogeografía a los hologramas

Javier Antón, Max Lauter, Teresa Reina

211-236
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33 West, 67 Street. Duchamp’s Atelier: Total Work of Art and Installation

Eduard Cairol

237-256
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From Object to Space. The «Indisciplinarity» of Christo and Jeanne-Claude

Daniel Barba-Rodríguez, Fernando Zaparaín Hernández

257-280
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Leche, miel, polen. Experiencias temporales y sensoriales en la obra de Wolfgang Laib: la chambre des certitudes

Salvador Jiménez-Donaire Martínez

281-302
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Sound Immersion and Microsound. Case Study of the Work of Alva Noto and Ryoji Ikeda

Jose Antonio Vertedor-Romero, José María Alonso-Calero

303-340
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Monument Valley 2: The Reflection of the Red Wall of the Architect Bofill, in a Virtual Environment Inspired by the Worlds of Escher

Diana María Espada Torres, Adrián Ruiz Cañero

341-356
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The Installation: From the Object to its Dematerialization. Some Contributions in the Spanish Context

Pablo Llamazares Blanco, Jorge Ramos Jular

357-378
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MISCELÁNEA

Iconography of Victoria. Nikoma(chos) in a Roman Intaglio from the City of Magdala (Migdal, Iudaea/Syria Palaestina)

Pablo Ozcáriz-Gil

381-396
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Game Studies. Methodological Approaches from the History of Medieval Art

Javier Castiñeiras López

397-418
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Game Studies. Aproximaciones metodológicas desde la historia del Arte Medieval (English version)

Javier Castiñeiras López

419-440
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In the Name of the Father… Joan de Joanes at the Vicent Macip’s Workshop (c. 1520-1542). Considerations on Shared Authories

Miguel Ángel Herrero-Cortell, Isidro Puig Sanchis

441-468
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Moors at the Palace. The Historical Reliefs of the Madrid’s Royal Palace, or the Origin of the Reconquest Imagery in the Middle Eighteenth Century

María Antonia Argelich Gutiérrez, Iván Rega Castro

469-490
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The No-Return Journey of the Ecclesiastical Heritage: Julián and Antonio Zabaleta, and the Paintings of the Monastery of St. Thomas of Ávila in the Prado Museum

Sonia Caballero Escamilla

491-514
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Gothic and Romanticism: The Monastery of San Juan de los Reyes in Toledo through Romantic Literature

Silvia García Alcázar

515-534
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The Modern Individual as a Hybrid In-Between the Human and the Technological: Creation and Experimentation in the European Artistic Avant-Garde at the Beginning of the 20th Century

Javier Mateo Hidalgo

535-554
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From Sacrilege to Redress. Worship and Ritual of the Sacred Image in the Valencia of the First Francoism

Sergi Doménech García

555-584
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On arrêt tout et on réfléchit. The Detention of Time in the French Cinema of 1968: Several Stops for Another Eroticism of Existence, Another Look at the Body and Another Thought on History

Irene Valle Corpas

585-608
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In Search of the Miraculous: The Work and its Documentation

Pedro de Llano Neira

609-644
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RESEÑAS BIBLIOGRÁFICAS

Reseña de: Manzarbeitia Valle, Santiago; Azcárate Luxán, Matilde; González Hernando, Irene (eds.), Pintado en la pared: el muro como soporte visual en la Edad Media

Elena Paulino Montero

647-650
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Reseña de: Gilarranz Ibáñez, Ainhoa, El Estado y el Arte. Historia de una relación simbiótica durante la España liberal (1833-1875)

José Antonio Vigara Zafra

651-652
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Spanish

Alberto García Alberti

653-656
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Reseña de: Frasquet Bellver, Lydia, Vicente Aguilera Cerni y el arte español contemporáneo

Oscar Chaves Amieva

657-660
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Reseña de: Denoyelle, Françoise, Arles, les rencontres de la photographie: une histoire française

Adolfo Baltar-Moreno

661-664
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NORMAS DE PUBLICACIÓN

ETF VII

Normas publicación

665-680
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