REAL MUSEUM, IMAGINARY MUSEUM: REFLECTIONS ON THE CONCEPT OF THE MUSEUM AS A STAGE FOR METAMORPHOSIS

Authors

  • Elena Marcén Guillén Departamento de Historia del Arte, Universidad de Zaragoza

DOI:

https://doi.org/10.5944/etfvii.1.2013.8469

Keywords:

museology, metamorphosis, imaginary museum

Abstract

Ever since its inception as public institution in the 18th century, the museum has favoured several interpretations of the work of art, alterations that imply both a change in its semantic and a revision of the very same concept of art. These metamorphoses take place not only within the confined walls of the traditional museum but also in many wall-less museums. Approaches such as the imaginary museum, virtual and endless repertoire of pieces of art, open countless perspectives to how the museums are perceived as containers of the western memory. This paper focuses on the role of the museum as metamorphosis scenery through the thoughts of artists, writers and intellectuals that have felt attracted to this question since the dawn of the museum.

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Author Biography

Elena Marcén Guillén, Departamento de Historia del Arte, Universidad de Zaragoza

Becaria de Investigación FPU en el Departamento de Historia del Arte de la Universidad de Zaragoza. Miembro del Observatorio Aragonés de Arte en la Esfera Pública (OAAEP), financiado por el Gobierno de Aragón con fondos FSE

Published

2014-02-16

How to Cite

Marcén Guillén, E. (2014). REAL MUSEUM, IMAGINARY MUSEUM: REFLECTIONS ON THE CONCEPT OF THE MUSEUM AS A STAGE FOR METAMORPHOSIS. Espacio Tiempo y Forma. Serie VII, Historia del Arte, (1), 129–145. https://doi.org/10.5944/etfvii.1.2013.8469

Issue

Section

DOSSIER

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