New contribution about Velázquez's painting

Authors

  • Borja Franco-Llopis UNED

DOI:

https://doi.org/10.5944/rdh.35.2018.21421

Keywords:

Painting, Museums

Abstract

Book review: Company Climent, Ximo (2017), Velázquez. El placer de ver pintura. Lleida: Edicions i Publicacions de la Universitat de Lleida-CAEM, 174 p. ISBN: 978-84-9144-055-0

 

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Author Biography

Borja Franco-Llopis, UNED

Investigador Ramón y Cajal del Departamento de Historia del Arte de la UNED (España). Líneas de investigación: arte y conversión, moriscos, pintura del Renacimiento.

References

Didi-Huberman, Georges (2005), Confronting the ends of a certain History of Art. Pennsylvania: Pennsylvania State University Press.

Fracchia, Carmen (2013): Metamorphoses of the self: slave portraiture and the case of Juan de Pareja in imperial Spain. En Ortiz, Lugo; Rosenthal, Angela, Slave Portraiture in the Atlantic World. Cambridge, UK: Cambridge University Press, pp. 147-169

Fracchia, Carmen (2012), The Fall into Oblivion of the Works of the Slave Painter Juan de Pareja, Art in Traslation 4 (2), pp. 163-183.

Fracchia, Carmen (2004), (Lack of) Visual representation of black slaves in Spanish Golden age painting, Journal of Iberian and Latinamerican Studies, 10 (1), pp. 23-34.

Méndez Rodríguez, Luis (2011), Esclavos en la pintura sevillana de los Siglos de Oro. Sevilla: Universidad de Sevilla-Ateneo de Sevilla, pp. 119-153

Montagu, Jennifer (1983), Velázquez Marginalia: his slave Juan de Pareja and his illegitimate son Antonio, The Burlington Magazine, 135 (968), pp. 683-685

Stoichita, Victor I (1999), El retrato del esclavo Juan de Pareja: semejanza y conceptismo. En Velázquez. Madrid: Fundación Amigos del Museo del Prado, pp. 367-381

Tolosa, Luisa; Company, Ximo, Aliaga, Joan (eds.), (1401-1425) Documents de la pintura valenciana medieval i moderna, III (1401-1425). Valencia: Publicacions de la Universitat de València, 2011.

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Published

2018-10-11

How to Cite

Franco-Llopis, B. (2018). New contribution about Velázquez’s painting. Revista De Humanidades, (35), 245–248. https://doi.org/10.5944/rdh.35.2018.21421

Issue

No. 35 (2018)

Section

Reseñas

License

The work was published in Revista de Humanidades licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. The authors know and agree that the distribution of the work is done by the use of such license. You can copy, use, distribute, transmit and publicly display, provided that the original authorship and source publication (magazine, editorial and URL of the work) is acknowledged, no use for commercial purposes and the existence and specifications of this license is mentioned. For any other use not specified in the license of authors consent should be required.