Bill Viola : repertorio de pasiones
DOI:
https://doi.org/10.5944/etfvii.17.2004.2431Keywords:
Bill Viola, pasiones, miedo, esperanza, arte y política, passions, fear, hope, art and politic,Abstract
El texto estudia las obras de Bill Viola unidas en la serie llamada “Las Pasiones” que el artista expuso por primera vez en la National Gallery de Londres en el 2003, analizando la evolución de las pasiones (sobre todo del miedo y de la esperanza) desde la fundación del Estado Moderno, y sus consecuencias sobre el control de la sociedad contemporánea.
The text studies the Bill Viola’s work of art called “The Passions”, that the artist showed in the National Gallery on London in 2003 for the first time, analyzing the development of the passions (overcoat the fear and the hope) and its consequences in the contemporary society.
Downloads
Downloads
Published
2004-01-01
How to Cite
Aznar, Y. (2004). Bill Viola : repertorio de pasiones. Espacio Tiempo y Forma. Serie VII, Historia del Arte, (17). https://doi.org/10.5944/etfvii.17.2004.2431
Issue
Section
MISCELÁNEA
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal right of the first publication with the work simultaneously licensed under a license Creative Commons Reconocimiento-NoComercial 4.0 Internacional that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as to earlier and greater citation of the published work (See The Effect of Open Access).
