El Bowery fotografiado por Martha Rosler
DOI:
https://doi.org/10.5944/etfvii.24.2011.1415Keywords:
fotografía documental, arte crítico, espacio público, Bowery, Martha Rosler, documentary photography, critical art, public space, urban crisis, representation, experience, society,Abstract
Estudio de la instalación fotográfica de Martha Rosler acerca de un barrio deprimido de Nueva York, titulada El Bowery en dos sitemas de representación inadecuados (1975), y exposición de las reflexiones de la artista sobre la capacidad del medio fotográfico para convertirse en herramienta política.
Study of Martha Rosler’s photo-installation concerning a deprived neighbourhood in New York, entitled The Bowery in two inadequate descriptive systems (1975), and presentation of the artist’s reflections on the ability of photography to become a politcal tool.
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