Tiempo y percepción en las pinturas maduras de Agnes Martin
Palabras clave:
Agnes Martin, Tiempo, Percepción, Pintura, Abstracción lírica, Siglo XXResumen
Agnes Martin, una de las figuras más singulares de la segunda mitad de la escena artística estadounidense del siglo XX, creó un cuerpo de trabajo cohesionado basado en una abstracción cromáticamente pálida, iterativa, geométrica pero lírica. Su obra, poética y sutil hasta el punto de no ser fácil de reproducir fotográficamente, sólo recientemente ha ganado popularidad internacional. Tensada por las relaciones entre el dibujo y la pintura, lo natural y lo abstracto, la espiritualidad y el racionalismo, la subjetividad y la objetividad… su obra impresiona tanto a la crítica como al público vernáculo. Este texto analiza las pinturas maduras de Martin en relación con las nociones de tiempo y percepción. Para ello, se analizarán las notas y escritos de la propia Martin, así como transcripciones de entrevistas y remembranzas de galeristas y críticos cercanos a la artista. En última instancia, este artículo plantea la experiencia perceptiva y temporal como factor decisivo en las propuestas pictóricas de Martin, que exigen una mirada atenta y despaciosa para poder ser comprendidas en su totalidad.
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