Reseña de: Michaud, Éric: Las invasiones bárbaras. Una genealogía de la historia del arte.
DOI:
https://doi.org/10.5944/etfvii.6.2018.22711Keywords:
Historiografía artística, arte y biología, razaAbstract
Michaud, Éric: Las invasiones bárbaras. Una genealogía de la historia del arte. Traducción de Antonio Oviedo. Buenos Aires, Adriana Hidalgo, 2017 [ed. Gallimard, 2015]. ISBN Argentina: 978-987-4159-13-7. ISBN España: 978-84-16287-05-5, 332 pp.Downloads
References
Pere Capellà Simó y Antoni Galmés Martí (coords.): Arts i naturaleza. Biologia i simbolisme a la Barcelona del 1900. Barcelona, Universitat de Barcelona, 2014.
Teresa-M. Sala e Irene Gras Valero (coords.): Poètiques de la natura. Espais per a l’espiritualitat. Barcelona, Universitat de Barcelona, 2018.
Fernando Chueca Goitia: Invariantes castizos de la arquitectura española. Madrid, Dossat, 1947.
Éric Michaud: La estética nazi. Un arte de la eternidad. Buenos Aires, Adriana Hidalgo, 2009 [ed. Gallimard, 1996]
Éric Michaud: Fabriques de l’homme nouveau, de Léger à Mondrian. Paris, Carré, 1997.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2018 Sonsoles Hernández Barbosa
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal right of the first publication with the work simultaneously licensed under a license Creative Commons Reconocimiento-NoComercial 4.0 Internacional that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as to earlier and greater citation of the published work (See The Effect of Open Access).
