Una revisión a la interpretación de la Pintura Moderna de Greenberg a través de los textos de la Vanguardia
DOI:
https://doi.org/10.5944/etfvii.22-23.2009.1433Keywords:
Teoría de la Vanguardia, Clement Greenberg, Manet, Ortega y Gasset, Walter Benjamin, Malévich, George Simmel, avant-garde theory,Abstract
El texto Pintura Moderna de Clement Greenberg, publicado en 1960, es una de las interpretaciones clásicas de las Vanguardias Históricas. A través de él, Greenberg desarrolla su teoría formalista que durante mucho tiempo dominó la interpretación de la pintura vanguardista. En este artículo hacemos una revisión de la teoría greenberiana a través de distintos textos de la Vanguardia, como el Manifiesto Suprematista de Malévich, o la opinión de filósofos como Simmel, Ortega y Benjamin.
Clement Greenberg’s text Modern Painting, published in 1960, is one of the classical interpretation of the Avant-garde. Through it, Greenberg developed his formalism theory that long dominated the interpretation of the avant-garde painting. In this article we review Greenberg’s theory through different texts of Modernism as Malevich’s Suprematism Manifest, or the opinion of philosophers such as Simmel, Ortega or Benjamin.
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