El orfebre y el joyero en el Renacimiento
DOI:
https://doi.org/10.5944/etfvii.10.1997.2302Abstract
Probablemente una de las profesiones más Interesantes que existen sea, por su creatividad, la de joyero y este artículo Intenta desvelar la vida de los joyeros del siglo XVI. Ellos no utilizaron el nombre de joyeros, prefirieron el de orfebres y plateros, y no dejaron su firma en las joyas que realizaron, por eso, a pesar de que han llegado hasta hoy cerca de dos mil ejemplares, estos no llevan ninguna marca o punzón. No pudieron trabajar libremente, para hacerlo se tenían que someter a las ordenanzas de los Gremios que vahaban según los países pero que en todos ellos eran sumamente proteccionistas.
One of the most interesting profession is probably that of «jeweller» because of his creativity, and this article tries to clarify how was the Ufe of the XVI Century jewellers. They didn't use the name of jewellers, but preferred to be called «goldsmiths» or «silversmiths», and they never left any signature on their jewels, though we know around two thousand samples, none of them has any mark. They couldn' t work with freedom as they had to subject themselves to the Orders of the Goldsmith Guilds, which were quite different according to the diverse countries but always very proteccionist.
Their work was to serve to the Kings and powerful men at the European Courts and therefore they suffered all.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal right of the first publication with the work simultaneously licensed under a license Creative Commons Reconocimiento-NoComercial 4.0 Internacional that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as to earlier and greater citation of the published work (See The Effect of Open Access).