Aesthetic of the art of animation? The path of modal aesthetics
DOI:
https://doi.org/10.5944/endoxa.56.2025.34237Keywords:
Animation, art, Philosophy, modal aesthetics, complexityAbstract
The present text lay out that the current state of the analysis and the reflection about animation, is in itself, a problematic fact that makes difficult the possibility of talking strictly about an animation aesthetic-animation cinema- Due to the fact that it would force to include all the complexity of which is nourished, and this is something that doesn´t happen exactly with the current proposals. This article advises of the wealthy of animation Theory and the possibility of the re-articulation from de diverse theorical projects, if the philosophy and the animation Theory start a narrow interaction. For that reason, we propose and explain, in an open way the perspective of Jordi Claramonte´s modal aesthetic, because his philosophical project has lot of tools which contributes to an analysis of the dimensions ontological, cognitive and axiological, in this case, of the animation as an art.
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Copyright (c) 2025 Daniel Valle Gómez
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