Introducción: cuando los espacios devienen arte. Obra de arte total, instalación, entornos inmersivos
DOI:
https://doi.org/10.5944/etfvii.9.2021.31663Resumen
Introducción al dossier.
Descargas
Citas
Bishop, Claire: Installation art: a critical history. London, Tate, 2005.
Bourdieu, Pierre: La distinction. Critique sociale du jugement. Paris, Les Éditions de Minuit, 1979.
Calabrese, Omar: La era neobarroca. Madrid, Cátedra, 1989.
Crary, Jonathan: Techniques of the Observer. On Vision and Modernity in the Nineteenth Century. Cambridge, MIT Press, 1992.
Crary, Jonathan: Suspensions of Perception. Attention, Spectacle, and Modern Culture. Cambridge, October books & MIT Press, 1999.
Elkins, James: Pictures and Tears: A History of People Who Have Cried in Front of Paintings. New York, Routledge, 2001.
Finger, Anke & Follett, Danielle: The Aesthetics of the Total Artwork. On Borders and Fragments, Baltimore, Johns Hopkins University Press, 2011.
Foucault, Michel: The Order of Things, orig. Les mots et les choses. Londres y Nueva York, Routledge Classics, 2002.
Gell, Alfred: Art and Agency: An Anthropological Theory of Art. Oxford, Oxford University Press, 1998.
Griener, Pascal: La République de l’œil. L’expérience de l’art au siècle des Lumières. Paris, Odile Jacob, 2010.
Huyssen, Andreas: After the Great Divide. Modernism, Mass Culture, Postmodernism. Bloomington, Indiana University Press, 1987.
Jay, Martin: Downcast Eyes. The Denigration of Vision in Twentieth-Century French Thought. Los Angeles, University of California Press, 1992.
Josephson-Storm, Jason A.: The Myth of Disenchantement. Magic, Modernity and the Birth of Human Sciences. Chicago, Chicago University Press, 2017.
Kemp, Wolfgang: Der Anteil des Betrachters. Rezeptionsästhetische Studien zur Malerei des 19. Jahrhunderts, Múnich, Mäander, 1983.
Kromm, Jane & Bakewell, Susan. B. (eds.): History of Visual Culture. Western Civilization from the 18th to the 21st Century. Londres, Bloomsbury, 2009.
Mirzoeff, Nicholas: An introduction to visual culture, New York, Routledge, 1999.
Mitchell, William John Thomas: «Showing Seeing: A Critique of Visual Culture» en Holly, Michael Ann & Moxey, Keith (eds.): Art History, Aesthetics, Visual Studies. London, Clark Art Institute & Yale University Press, 2002, pp. 231–250.
Pomian, Krzysztof: Des saintes reliques à l’art moderne. Venise-Chicago, XIIIe-XXe siècle. París, Gallimard, 2003.
Potts, Alex: The Sculptural Imagination: Figurative, Modernist, Minimalist, New Haven y Londres, 2001.
Potts, Alex: «Installation and Sculpture», Oxford Art Journal, 24, 2, (2001), p. 5–23.
Van Eck, Caroline: Art, Agency and Living Presence. From the Animated Image to the Excessive Object. Chicago, University of Chicago Press, 2016.
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.