Modelo de análisis cualitativo con ATLAS.ti para novelas postdigitales: Reina y Game Boy
DOI:
https://doi.org/10.5944/rhd.vol.6.2021.30879Keywords:
Postdigital Spanish Literature, Qualitative Text Analysis, Retromania, David Parkas, Elizabeth DuvalAbstract
Studies on the postdigital turn in Spanish literature have been consolidated in the last decade. The current paper examines a small novelistic corpus to understand 1) which postdigital presences and representational strategies are dominant and 2) how it relates to its technological history. The corpus comprises Game Boy by David Parkas (2019) and Reina by Elizabeth Duval (2020). This choice seeks to broaden the scope of previous studies, which mostly focused on the older Mutant generation. The paper’s methodology is qualitative text analysis using Atlas.ti. An interpretative model has been developed to annotate the novels; the annotation data has been analyzed with the tool.
Downloads
References
Bajohr, H. (2016). Experimental Writing in its Moment of Digital Technization. En A. Gilbert (Ed.), Publishing as Artistic Practice (pp. 252-267). Sternberg Press.
Cox, G. (2014). Prehistories of the Post-Digital: Or, Some Old Problems with Post-Anything. A Peer-Reviewed Journal About, 3(1), 70-75.
Duval, E. (2020). Reina. Penguin Random House. (Colección Caballo de Troya).
Cramer, F. (2015). What Is ‘Post-digital’? En D. M. Berry & M. Dieter (Eds.), Postdigital Aesthetics (pp. 12-26). Palgrave Macmillan UK.
Fernández Mallo, A. (2018). Teoría general de la basura (cultura, apropiación, complejidad). Galaxia Gutenberg.
Hine, C. (2015). Ethnography for the Internet: Embedded, embodied and everyday. Bloomsbury Academic.
Llamas Ubieto, M. (2020). Postdigital ahora. E-Prints Complutense.
Ludovico, A. (2012). Postdigital Print. The Mutation of Publishing since 1894. Onomatopee.
Ludovico, A. (2014). Post-Digital Publishing, Hybrid and Processual Objects in Print. A Peer-Reviewed Journal About, 3(1), 78-85.
Parkas, V. (2019). Game Boy. Un libro de ficción, ensayo y privilegio. Penguin Random House. (Colección Caballo de Troya).
Reynolds, S. (2011). Retromania: Pop Culture’s Addiction to Its Own Past. Farrar, Straus and Giroux.
Saum-Pascual, A. (2018). #Postweb!: Crear con la máquina y en la red. Iberoamericana Vervuert.
Sierra-Paredes, G. (2012). Post-Digitalism and Contemporary Spanish Fiction. Hispanic Issues On Line (HIOL), 9, 22-37.
Sierra-Paredes, G. (2016). Postdigital fiction. Exit and memory. En C. Domínguez, A. Abuín González, & E. Sapega (Eds.), A Comparative History of Literatures in the Iberian Peninsula: Volume II (pp. 498-506). John Benjamins Publishing Company.
Sierra-Paredes, G. (2017). Postdigital synchronicity and syntopy: The manipulation of universal codes, and the fully automated avantgarde. Neohelicon : Acta comparationis litterarum universarum, 44(1), 27-39.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Adrián Menéndez de la Cuesta González

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
RHD provides immediate free access to its content under the principle that making research available to the public for free favors greater global knowledge sharing. RHD does not charge fees to authors for the submission or processing of articles
Users can read, download, distribute, print, search, partially reproduce or link to the texts without requesting prior permission from the editor or the author.
RHD does not charge fees to authors for the processing of works, nor fees for the publication of their articles.
RHD is free from the moment of the publication of each issue and its contents are distributed with Creative Commons license No Commercial 4.0 International , which allows the user free and open access, criteria that meet the definition of open access of the Budapest Declaration in favor of open access. This means that they can be copied, used, disseminated, transmitted and exhibited publicly, provided that the authorship and the original source of their publication are cited (magazine, editorial and URL of the work, not used for commercial purposes, mention the existence and specifications of this license of use.
The authors retain the copyright and guarantee the journal the right to be the first publication of the work. The authors are free to distribute their work published in the magazine in other media, such as an institutional repository or inclusion in a book.