Las influencias europeas en el movimiento plástico del expresionismo-abstracto americano
DOI:
https://doi.org/10.5944/etfvii.4.1991.2176Abstract
La literatura crítica que gira en torno al Expresionismo-Abstracto norteamericano (que es la tendencia artística predominante en EEUU en los años 40 y 50 de nuestro siglo) tiene dos fases principales. En primer lugar una serie de libros que aparecen a partir de los años 50 y 60 de contenido laudatorio, exaltante y reafirmando lo «americano» de este arte, los títulos son por sí solos extremadamente ilustrativos: Rudy Blesh Modem Art USA: Men, Rebellion, Conquest de 1956; Thomas B. Hess Abstract Painting: Background and American Phase de 1951; Irving Sandler The Triumph of American Painting: A History of Abstract Expressionism de 1970; William Seitz Abstract Expressionism Painting in America de 1955.Downloads
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Published
1991-01-01
How to Cite
Serrano de Haro Soriano, A. (1991). Las influencias europeas en el movimiento plástico del expresionismo-abstracto americano. Espacio Tiempo y Forma. Serie VII, Historia del Arte, (4). https://doi.org/10.5944/etfvii.4.1991.2176
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MISCELÁNEA
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