The movement of miracles

Authors

  • Amparo Serrano de Haro Departamento de Historia del Arte, UNED

DOI:

https://doi.org/10.5944/etfvii.4.2016.16553

Keywords:

Renaissace painting, Masolino, Video-Art, Viola, Resurrection, to look / to contemplate

Abstract

This text endevours to offer an analysis of Bill Viola’s work «Emergence» and the painting it is based on, a «Pieta» by Masolino. Both works will be submitted to a formal and narrative «close reading», in an attempt to follow the path of practice established by Mieke Bal.

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References

Argan. Giulio Carlo: Renacimiento y Barroco. Madrid. Akal. 1987.

Augé, Marc: The future. Verso. London. 2014.

Bal, Mieke: A Mieke Bal reader. The University of Chicago Press. Chicago and London. 2006.

—, Louise Bourgeois’ Spider and the architecture of art-writing. Chicago and London. The University of Chicago Press. 2001.

Berenson, B.: Les peintres italiens de la Renaissance. NRF. Paris.Gallimard.1935.

Bloom, Harold: The Anxiety of Influence: A Theory of Poetry. New York, Oxford University Press, 1973.

Bryson, Norman: Tradición y Deseo. De David a Delacroix. Akal. Madrid.

Joanides, Paul: Masaccio and Masolino: a complete catalogue. London. Phaidon. 1993.

Longhi, Roberto: Breve pero auténtica historia de la pintura italiana. Visor. Madrid. 1994.

Ross, David A and Sellars, Peter: Bill Viola. Whitney Museum of American Art. 1998.

Viola, Bill: Reason for knocking at an empty house: Writings 1973-1995. Cambridge Massachusetts. The MIT Press. 1995.

—, Las pasiones. Fundación La Caixa. 2004.

How to Cite

Serrano de Haro, A. (2016). The movement of miracles. Espacio Tiempo y Forma. Serie VII, Historia del Arte, (4), 219–232. https://doi.org/10.5944/etfvii.4.2016.16553

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