Hegelian Echoes in “The Origin of the Work of Art” by Martin Heidegger
DOI:
https://doi.org/10.5944/endoxa.50.2022.27200Keywords:
Heidegger, Hegel, obra de arte, fin del arte, historia del ser.Agencies:
UCA, CONICETAbstract
In this paper, I aim to demonstrate that “The Origin of the Work of Art” involves an implicit dialogue with the Hegelian philosophy of art. Specifically, we will try to show that this debate with the 19th-century philosopher occurs on two fronts: the thesis of the end of art and the relationship between art and history. Two objectives emerge from this: 1. First, we will analyze the discussion between the interpreters about whether or not for Heidegger art has come to an end and we will try to propose an answer of our own. Our thesis is that for the German philosopher, even though on the horizon of the technical age it seems unlikely, as we will see, art is not something past but, as Ereignis, is still able to “set the truth into work”.
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