Roland Barthes, El Imperio de los signos
DOI:
https://doi.org/10.5944/endoxa.40.2017.18332Keywords:
Semiología, Barthes, Japón, Antropología, Estética.Abstract
A modo de sincretismo entre el ensayo y un cuaderno de viaje, surge una colección de impresiones, impactos, sensaciones y retratos sobre un Japón muy lejano del occidentalizado tras la Segunda Guerra Mundial. Atrayente, misterioso y endémico que no deja indiferente a Roland Barthes. Sus instantáneas toman a la palabra como rehén para desglosar una cultura, realidad y territorio onírico, un realismo mágico (Seix Barral, 2016).
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References
- Tanizaki, Junʼichirō (1994). El elogio de la sombra, Siruela, 1996, p.96.
- D.T. Suzuki, El Zen y la Cultura japonesa, Paidós Orientalia, 2014, p.331.
- Hisayasu Nakawaga “Introducción a la Cultura Japonesa”, Melusina, Barcelona, 2006.
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Published
2017-12-19
How to Cite
Rodríguez Ferro, D. M. (2017). Roland Barthes, El Imperio de los signos. ENDOXA, (40), 411–414. https://doi.org/10.5944/endoxa.40.2017.18332
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