Visual Signs at Human Scale: A Classification of Data Visualization Methods and an Inquiry on their Implications for Humanities Scholarship
DOI:
https://doi.org/10.5944/rhd.vol.6.2021.30734Keywords:
Visualization, Data, Icon, Index, SymbolAbstract
The main goal of this article is to establish funda-mental concepts concerning strategies for data visualization in the humanities. In order to accom-plish such goal, a set of methods will be propo-sed, based on a triple classification of signs defi-ned by philosopher Charles S. Peirce: iconic signs, indexical signs, and symbolic signs. Such categories will serve as a guide to elaborate informed considerations on data visualization and their features when used in humanities re-search. Additionally, to illustrate more clearly the differences between the types and methods of visualization proposed, some visual examples will be presented along the text.
Downloads
References
Allés Torrent, S. (2019). Sobre la complejidad de los datos en Humanidades, o cómo traducir las ideas a datos. Revista de Humanidades Digitales, 4(0), 1-28. https://doi.org/10.5944/rhd.vol.4.2019.24679
Bertin, J. (2011). Semiology of Graphics: Diagrams, Networks, Maps. ESRI Press.
Borges, P. (2010). A Visual Model of Peirce’s 66 Classes of Signs Unravels His Late Proposal of Enlarging Semiotic Theory. En L. Magnani, W. Carnielli, y C. Pizzi (Eds.), Model-Based Reasoning in Science and Technology: Abduction, Logic, and Computational Discovery (pp. 221-237). Springer. https://doi.org/10.1007/978-3-642-15223-8_12
Clark, A., & Chalmers, D. (1998). The Extended Mind. Analysis, 58(1), 7-19. https://doi.org/10.1093/analys/58.1.7
Cleveland, W. S., y McGill, R. (1984). Graphical Perception: Theory, Experimentation, and Application to the Development of Graphical Methods. Journal of the American Statistical Association, 79(387), 531-554. JSTOR. https://doi.org/10.2307/2288400
Drucker, J. (2011). Humanities Approaches to Graphical Display. Digital Humanities Quarterly, 5(1).
Drucker, J. (2020). Visualization and interpretation: Humanistic approaches to display. The MIT Press.
Eco, U. (2017). Kant y el ornitorrinco. Debolsillo.
Edney, M. H. (2019). Cartography: The ideal and its history. The University of Chicago Press.
Fauconnier, G., y Turner, M. (2003). The way we think: Conceptual blending and the mind’s hidden complexities. Basic Books.
Ferguson, K. L. (2017). Digital Surrealism: Visualizing Walt Disney Animation Studios. Digital Humanities Quarterly, 11(1).
Flanders, J., & Jannidis, F. (2018). The Shape of Data in Digital Humanities: Modeling Texts and Text-based Resources. Routledge.
Floridi, L. (2015). A Proxy Culture. Philosophy & Technology, 28(4), 487-490. https://doi.org/10.1007/s13347-015-0209-8
Lupi, G., y Posavec, S. (2018). Observe, collect, draw!: A visual journal: Discover the patterns in your everyday life.
Manovich, L. (2013). Software Takes Command: Extending the Language of New Media. Bloomsbury.
Munzner, T. (2015). Visualization analysis and design. CRC Press, Taylor & Francis Group.
Mutis, A. (1975). Diario de Lecumberri / La mansión de Araucaíma. Círculo de lectores.
Newman, M. E. J. (2010). Networks: An introduction. Oxford University Press.
Offenhuber, D., y Telhan, O. (2018). Indexical Visualization – The Data-less Information Display. En U. Ekman, J. D. Bolter, L. Diaz, M. Søndergaard, y M. Engberg (Eds.), Ubiquitous computing, complexity, and culture. Routledge, Taylor & Francis Group.
Ortega Guerrero, J. C. (2016). Las redes sociales y su modelado matemático. Revista Ensayos Pedagógicos, 19-35. https://doi.org/10.15359/rep.esp-16.1
Peirce, Charles S. (1992a). On the Logic of Drawing History from Ancient Documents, Especially from Testimonies. En The essential Peirce: Selected philosophical writings (pp. 75-114). Indiana University Press.
Peirce, Charles S. (1992b). What is a sign? En The essential Peirce: Selected philosophical writings (pp. 4-10). Indiana University Press.
Peirce, Charles. (1974). La esencia de la matemática. En J. R. Newman (Ed.), La forma del pensamiento matemático. Grijalbo. https://www.unav.es/gep/EssenceMathematics.html
Rendgen, S. (2019). History of information graphics. Taschen.
Rosenberg, D. (2013). Data before the Fact. En L. Gitelman (Ed.), «Raw Data» Is an Oxymoron (pp. 15-40). The MIT Press.
Scolari, C. A. (2004). Hacer clic: Hacia una sociosemiótica de las interacciones digitales. Editorial Gedisa.
Short, T. L. (2007). Peirce’s Theory of Signs. Cambridge University Press.
Tomasello, M. (2013). Los orígenes de la comunicación humana. Katz.
Tufte, E. R. (1983). The Visual Display of Quantitative Information. Graphics Press.
Warburg, A. (2010). Atlas Mnemosyne. Ediciones Akal.
Wilkinson, L. (2013). The Grammar of Graphics. Springer Science & Business Media.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Sergio Rodríguez Gómez

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
RHD provides immediate free access to its content under the principle that making research available to the public for free favors greater global knowledge sharing. RHD does not charge fees to authors for the submission or processing of articles
Users can read, download, distribute, print, search, partially reproduce or link to the texts without requesting prior permission from the editor or the author.
RHD does not charge fees to authors for the processing of works, nor fees for the publication of their articles.
RHD is free from the moment of the publication of each issue and its contents are distributed with Creative Commons license No Commercial 4.0 International , which allows the user free and open access, criteria that meet the definition of open access of the Budapest Declaration in favor of open access. This means that they can be copied, used, disseminated, transmitted and exhibited publicly, provided that the authorship and the original source of their publication are cited (magazine, editorial and URL of the work, not used for commercial purposes, mention the existence and specifications of this license of use.
The authors retain the copyright and guarantee the journal the right to be the first publication of the work. The authors are free to distribute their work published in the magazine in other media, such as an institutional repository or inclusion in a book.