The Tangibilization of Indigenous Dances and the Rehearsal of a Similarity Model for Quantitative Analysis of Movement
DOI:
https://doi.org/10.5944/rhd.vol.9.2024.37943Palabras clave:
Danza, Indigena, Reconocimiento del Movimiento Humano, Patrimonio Cultural Inmaterial, Captura del MovimientoResumen
Este artículo explora varias herramientas de variada asequibilidad dentro del campo de las tecnologías informáticas de reconocimiento del movimiento humano como un medio para responder a la actual falta de protección de las danzas indígenas. Tras una descripción teórica general de las nuevas tecnologías desarrolladas para procesar el movimiento humano, incluida la captura de movimiento, la visualización de video y la visión por computadora, este artículo ofrece un recuento de sus aplicaciones prácticas para el campo de la danza. Esta es la experiencia del “Proyecto de Similitud del Movimiento” realizado en el RITMO Centre de la Universidad de Oslo, aquí analizado como estudio de caso, en el que la tecnología de captura de movimiento se utilizó para medir cuantitativamente el grado de similitud entre dos danzas. Las posibilidades, limitaciones y direcciones futuras de estas tecnologías son evaluadas de acuerdo con su capacidad para salvaguardar las danzas indígenas.
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Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
