Some Phenomenological and Metaphisycal Aspects of Human Creativity

Abstract

The author gets human creativity to bridge phenomenology and metaphysics. He examines closely the poetical principle of Edgar Allan Poe and considers the artwork (poem) as a phenomenon appealing to the metaphysical beauty. He also considers the problem of free-dom in phenomenological and metaphysical aspects of creativity. To harmonize the freedom and phenomenology the author offers to differentiate two kinds of intentionality: “intentionality to” and “intentionality from”. The first is reducible to the purposefulness of events and refers to the constitutive function of consciousness, the latter implies the human creativity and freedom as an act of differentiation of phenomenon from its previous limits. The incipient point of the second form of intentionality seems to be a metaphysical object, which is worth considering as an inexhaustible source of the world of phenomena.