Dramatic intertextuality and copyright

Abstract

The theatrical actor, with his creative, original and experiential interpretation, realizes his own creation, in which his personality is relected peculiarly, which clearly delimits the requirements of personal creativity, originality and exteriorisation that indicates as fundamental for the authorship the Law of Intellectual property. In this way, it is coherent that creators nowadays focus on adopting measures that consolidate the rights that are definitively denied, even though they are recognized in a related way. More important than the differences are the coincidences that are observed in the various constitutions, international treaties and human rights standards with respect to intellectual property and its legal protection as a fundamental aspect of progress and culture, and especially the right of authorship, More specifically that of the interpreters. In this sense the interest of society entails a legal solution, since the dificulty lies in the economic interest of the subjects that incorporate a new industry, which leads to regulate the interests of the authors, to obtain economic benefits to the detriment of the social and patrimonial that correspond to them.