Movimientos artísticos en la obra de Arturo Cerdá y Rico (1844-1921) : una aportación a la historia de la fotografía en España
DOI:
https://doi.org/10.5944/etfvii.16.2003.2406Keywords:
historia de la fotografía, movimientos artísticos, burguesía, history of the photography, bourgeoisie, artistic movements,Abstract
En la historia de la fotografía española, merece destacarse la obra de Arturo Cerda y Rico (1844-1921), un amateur que hizo miles de fotografías y que conoció pertectamente los movimientos artísticos de la época. La obra fotográfica de Cerda y Rico responde a la mentalidad característica de la burguesía, y él demuestra un períecto conocimiento de las innovaciones artísticas fotográficas de finales del siglo XIX y principios del siglo XX.
In the history of the Spanish photography, it is necessary to highiight Arturo's work Cerda y Rico (1844-1921), an amateur that made thousands of photography's and that he met the artistic movements ofthe time períectiy. The photographic work of Cerda y Rico responds to the characteristic mentality of the bourgeoisie, and he demonstrates a perfect knowledge of the photographic artistic innovations of final of the XIX century and principies of the XX century.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal right of the first publication with the work simultaneously licensed under a license Creative Commons Reconocimiento-NoComercial 4.0 Internacional that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as to earlier and greater citation of the published work (See The Effect of Open Access).
