Salbatore Mitxelena’s A Country at the Cruxifixion. A Sociological, Theological and Political Portrait of a Basque Existentialist Mindset, Written in Theatrical Code
DOI:
https://doi.org/10.5944/rllcgv.vol.28.2023.38946Keywords:
Mitxelena, basque theatre, christianity, exile, crossroadAbstract
The dramatic piece A Country at the Cruxifixion is a portrait written to be read, with another version to play on the stage under the title Confixus. As a portrait, it narrates the internal conflicts of the Franciscan author, who experienced the Spanish Civil War in 1936 and the exile. The drama is also a representation of Basque Christian society and the rawness of existence of that generation. Mitxelena wrote the portrait of these conflicts in the theater code building a metatheatre spectacle with historical data and a way of understanding existentialism combined with Christianity.
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Published
2023-11-20
How to Cite
Gereñu Odriozola, I. (2023). Salbatore Mitxelena’s A Country at the Cruxifixion. A Sociological, Theological and Political Portrait of a Basque Existentialist Mindset, Written in Theatrical Code. Revista de lenguas y literaturas catalana, gallega y vasca, 28, 183–210. https://doi.org/10.5944/rllcgv.vol.28.2023.38946
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Section
Lengua y Literatura Vascas
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.