Salbatore Mitxelena’s A Country at the Cruxifixion. A Sociological, Theological and Political Portrait of a Basque Existentialist Mindset, Written in Theatrical Code

Authors

  • Idoia Gereñu Odriozola Universidad del País Vasco/Euskal Herriko Unibertsitatea

DOI:

https://doi.org/10.5944/rllcgv.vol.28.2023.38946

Keywords:

Mitxelena, basque theatre, christianity, exile, crossroad

Abstract

The dramatic piece A Country at the Cruxifixion is a portrait written to be read, with another version to play on the stage under the title Confixus. As a portrait, it narrates the internal conflicts of the Franciscan author, who experienced the Spanish Civil War in 1936 and the exile. The drama is also a representation of Basque Christian society and the rawness of existence of that generation. Mitxelena wrote the portrait of these conflicts in the theater code building a metatheatre spectacle with historical data and a way of understanding existentialism combined with Christianity.

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Published

2023-11-20

How to Cite

Gereñu Odriozola, I. (2023). Salbatore Mitxelena’s A Country at the Cruxifixion. A Sociological, Theological and Political Portrait of a Basque Existentialist Mindset, Written in Theatrical Code. Revista de lenguas y literaturas catalana, gallega y vasca, 28, 183–210. https://doi.org/10.5944/rllcgv.vol.28.2023.38946

Issue

Section

Lengua y Literatura Vascas