Gilles Deleuze. Formal element of Baroque
DOI:
https://doi.org/10.5944/endoxa.53.2024.37908Keywords:
Infinite event, Fold, Convergence, Divergence, IndescernibilityAbstract
This paper treats on the formal element of Baroque conceptualized by Deleuze as Infinite fold and treated as an Event. We suggest that Neo-baroque is the sign of our present; because of that, we search the passage from classical Baroque to Neo-baroque; at the same time, we propose that experimental cinema capture into images some dashes that make sensible a certain overthrow of real and imaginary, true and false, fiction and fabulous. What is the common feature between Baroque and Neo-baroque is the concept of Event, which does not affirm the being but ways of being.
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References
DELEUZE, Gilles (2006). El Leibniz de Deleuze. Exasperación de la filosofía. Buenos Aires: Cactus.
— (2004). El pliegue. Leibniz y el Barroco. Barcelona: Paidós.
—(1996). La imagen-tiempo. Estudios sobre cine 2. Barcelona: Paidós.
GUATTARI, Félix (1996). Caosmosis. Buenos Aires: Manantial.
SERRES, Michel (2002). Los cinco sentidos. Filosofía, ciencia y arte del cuerpo. México: Taurus.
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