Gilles Deleuze. Formal element of Baroque

Authors

  • SONIA TORRES ORNELAS Facultad de Filosofía y Letras, UNAM

DOI:

https://doi.org/10.5944/endoxa.53.2024.37908

Keywords:

Infinite event, Fold, Convergence, Divergence, Indescernibility

Abstract

This paper treats on the formal element of Baroque conceptualized by Deleuze as Infinite fold and treated as an Event. We suggest that Neo-baroque is the sign of our present; because of that, we search the passage from classical Baroque to Neo-baroque; at the same time, we propose that experimental cinema capture into images some dashes that make sensible a certain overthrow of real and imaginary, true and false, fiction and fabulous. What is the common feature between Baroque and Neo-baroque is the concept of Event, which does not affirm the being but ways of being.

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References

DELEUZE, Gilles (2006). El Leibniz de Deleuze. Exasperación de la filosofía. Buenos Aires: Cactus.

— (2004). El pliegue. Leibniz y el Barroco. Barcelona: Paidós.

—(1996). La imagen-tiempo. Estudios sobre cine 2. Barcelona: Paidós.

GUATTARI, Félix (1996). Caosmosis. Buenos Aires: Manantial.

SERRES, Michel (2002). Los cinco sentidos. Filosofía, ciencia y arte del cuerpo. México: Taurus.

Published

2024-07-04

How to Cite

TORRES ORNELAS, S. (2024). Gilles Deleuze. Formal element of Baroque. ENDOXA, (53). https://doi.org/10.5944/endoxa.53.2024.37908

Issue

Section

Actualidad del Barroco