El valor estético del texto original como eje del proceso de traducción: el Beowulf de J. R. R. Tolkien
DOI:
https://doi.org/10.5944/epos.38.2022.31503Resumen
Este artículo consiste en un análisis de la traducción de Beowulf realizada por Tolkien en 1926. El objetivo es explorar las modificaciones que su proceso traductológico aplica a la aliteración, los kennings y los arcaísmos, rasgos estilísticos esenciales en la poesía anglosajona. Estos cambios resultan inevitables dadas 1) las diferencias entre las convenciones poéticas anglosajonas y el habla y la literatura inglesa contemporánea, y 2) las necesidades de la audiencia meta de Tolkien, sus alumnos en Oxford. Aun así, dichos cambios persiguen el propósito principal de Tolkien, que, influido por las ideas del New Criticism y el Modernismo, pretende mantener en la traducción el valor estético de los tres rasgos estilísticos mencionados. Seguimos la perspectiva teórica de Bassnett (1998) para indicar que la definición tradicional de ‘traducción’ como ‘copia’ del original no es suficiente para calificar la traducción de Tolkien: las innovaciones aplicadas convierten la traducción en un nuevo ‘original’.
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Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.